Re: Semi OT: Protocols (Commercials and Feature Films)

[Tom Edwards <tdcone(at)bellsouth.net>]

Nashville...

Bars/Tone                58:45:00 - 59:45:00
Slate                       59:45:00 - 59:57:00
Black/Silence        59:57:00 - 1:00:00:00
Program  Start      1:00:00:00

Tom Edwards
MTV Networks

Badertscher, Michael wrote:

here's the LA version:

NDFTC starts 57:45:00
bars/tone    58:30:00 - 59:30:00
blk          59:30:00 - 59:40:00
slate        59:40:00 - 59:50:00
blk          59:50:00 - 1:00:00:00
spot start (at) 1:00:00:00
blk for 2 minutes after spot

mtb


On 6/29/05 2:22 PM, "Todd" <lists(at)tradertodds.com> wrote:

  

Commercials Delivery:

TAPE TC STARTS AT TC 00:58:00:00

BARS&TONE  00:58:30:00 to 00:59:30:00
SLATE      00:59:50:00 to 00:59:58:00
2POP      00:59:58:00

Spot begins at 01:00:00:00

Subsequent slates begin on the next available 00:00:50:00 leaving at least
10 seconds of black between the previous spot and slate. Subsequent spots
will then begin on full minute TC.

-Todd
Union



    

-----Original Message-----
From: owner-ds(at)Softimage.COM [mailto:owner-ds(at)Softimage.COM] On Behalf Of
Espiritu VFX
Sent: Wednesday, June 29, 2005 12:52
To: DS(at)Softimage.COM
Subject: Semi OT: Protocols (Commercials and Feature Films)

Hi,

I'm trying to standarize the way in which we transfer commercials and
feature films to tape.

Can anyone tell me if there's a international protocol for all this?

For commercials we usually start at TC: 00.00.00.00

Patten Bars: 60 seg
Black:          10 seg
Titles:            8seg
Black:            2 seg
COMMERCIAL
Black            10seg.

Thanks,
Nacho






      

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