Hi Nacho,
Thanks for the reply. Did you use Kona2 as the digitizer of fcp or
did you capture natively over firewire? Our HDCAM-SR deck has no
firewire and with that i'm obligated to capture the material using
the Kona2's hd input and rs422 as machine control.
By the way, I'm also looking at the Avid Xpress HD workflow option
since we have one. But I still find it "heavy" working with Avid's
DNxHD option workflow since the files are larger compared to
digitizing it at DV resolution of FCP (as offline resolution for
offline edit). Is my observation correct?
regards,
Aleks
On 07 21, 05, at 8:52 AM, Espiritu VFX wrote:
Hi Aleks,
We did a very simple feature film shot with a Sony 900/3 at 24 psf
and we had no problems with the normal EDL files directly from FCP
4. BTW i can't remember but I think fades and dissolves worked ok.
Good luck,
Nacho
----- Original Message ----- From: "Aleks Castaneda"
<glue_opman(at)globelines.com.ph>
To: <DS(at)Softimage.COM>
Sent: Wednesday, July 20, 2005 9:30 PM
Subject: DS and FCP
Anyone here have experienced working with FCP as offline
workstation and the DS as the online workstation? We are
currently starting to do post on a feature film shot using the
CineAlta at 1080PsF 23.98. Any suggestions on the workflow?
Thanks.
Aleks C
Ignite Media, Inc.
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