24p HDW-F500 issue
| Date : Tue, 1 Nov 2005 11:46:57 -0500 |
| To : "DS Group" <DS(at)Softimage.COM> |
| From : "Rob Rohlman" <rob(at)thefilmfoundry.com> |
| Subject : 24p HDW-F500 issue |
|
Hi all,
I've been confused by this issue for a week now, so
here goes.
Using DS v7.6
I'm trying to import a Final Cut EDL into a
23.98 16x9 HD project.
Final Cut project was HD at 23.98
EDL was generated from Final Cut as an EDL
file
Final Cut sequence was digitized from DVCPRO tapes
created at transfer facility at 23.98
DS tape sources are HDCAM direct from transfer
at 23.98
EDL has only 10 test shots, video only, no
audio
Audio will come in via wave file.
Using SONY HDW-F500 with 501, 502, and 507
converter boards.
no pull down signal is being used
sync into DS and F500 is 23.98
Here's the problem; no matter what setting I try on
the DS or the F500, when the DS digitizes the material it ALWAYS seems to read
the pulldown Timecode. One of the source tapes has burned in TC so I can check
the timecode that the DS is reading with the actual timecode. There is no
problem here. What the deck reads, and what the DS displays is what the burn in
says it should be. However, when I digitize the clip, eithor manually or
recapturing from the bin, the DS and the deck start mucking it up. What I will
get is a clip that says it has the right timecode, but it will not match the
burn in timecode. If I mark in/out on the fly it still screws up. For some
reason it's "adjusting " for pulldown.
I've tripple checked all the settings on the F500,
making sure that it is reading the 24f timecode, and tried about a dozen or so
other ideas.... but now have run out of ideas.....
Help?
|
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