>> there are 8 power windows (wipes) and 15 secondaries on the stock DaVinci
2k. And no renders.>>
And it has a great tactile control surface (i.e. Balls!!!) that allow an
operator to work much faster than if they can with a pen.
Also, a daVinci allows the operator to make multiple adjustments at the same
time. This is where the Avid workflow breaks down, because often a result
is based on the relationship of several adjustments and this can best be
achieved by seeing the interaction of these adjustments as they happen
together in real time.
Another important note - prolonged color correction using a pen leads to
wrist and hand pain.
Bill A
-----Original Message-----
From: owner-ds(at)Softimage.COM [mailto:owner-ds(at)Softimage.COM]On Behalf Of
Jef Huey
Sent: Wednesday, November 02, 2005 11:49 AM
To: DS(at)Softimage.COM
Subject: Re: secondary color correction
Dermot Shane wrote:
> as to the accuracy of Davinci's keyer ( and that is what it is) -VS-
> keylight... i can do anything they can do, not as fast (untill one
> neeeds to do more than one key, at that point DS is lightyears faster
> as Davinci is limited to one "power window" (code word for a wipe) in 2K
>
> DS can do as many as one wants, in a Davinci you have to layoff the
> shot to a tape or DDR, lose generations if using compression ( not as
> much a factor with HDSR) and roll it back into the suite... now
> imagine the pain of reaisling that the first wipe interfers with the
> second ( or worse yet third)
>
> back to square one in the Davinci suite
>
> meanwhile in the DS suite we see all layers, CC's, effects, filters in
> context and tweak in context
>
> hummm... filters & plug-in's.. another plus to DS
Some clarification here. As my colorists tell me, there are 8 power
windows (wipes) and 15 secondaries on the stock DaVinci 2k. And no renders.
Jef (not a salesman for any system)
;)
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