3:2

Date : Thu, 5 Jan 2006 11:55:22 -0600
To : ds(at)Softimage.COM
From : Chris Smith <chris(at)sugarfilmproduction.com>
Subject : 3:2
Normally I roll my cameras at 30fps to not deal with pulldown issues.  But I'm doing a cut from a job I shot at 24fps and it's driving me crazy.

Questions about the 3:2 process:

1.  The way I cut is not with subclips but just selects dragged to the timeline.  So when I add the 3:2 contract effect and it creates the container, inside the container the clip seems to be the length of the master clip.  Do I need to always go chase down where my in/out points of the top clip are?  Or am I doing something wrong?  I'd like to have a short clip in an edit, apply a 3:2 contract and inside the container just see the frames from the clip I'm working on.

2.  Is it standard in a 24fps edit to do a 3:2 contract and expand so that the sequence is always the same 3:2 sequence as opposed to a random one based on how it was edited?  Or do you only do a contract/expand on clips that you need to do effects on?

Chris Smith

Partner/Film Director

Sugar Film Production

3699 McKinney #222

Dallas 75204

214.655.2662

http://www.sugarfilmproduction.com


  • Follow-Ups:
    • Re: 3:2
      • From: "Gregory, Ryan" <Ryan.Gregory(at)bbdo.ca>
    • Re: 3:2
      • From: david friedman <gevalt1(at)gmail.com>

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