Re: 3:2

Date : Thu, 05 Jan 2006 13:09:28 -0500
To : "ds(at)softimage.com" <DS(at)Softimage.COM>
From : "Gregory, Ryan" <Ryan.Gregory(at)bbdo.ca>
Subject : Re: 3:2
Title: Re: 3:2
Hi Chris,
When you apply the Contract Container, that becomes 24. If you step in, it will be the 30fps material. After you apply the container that becomes your clip. I usually put a cache on the container and set to frames, render. Then do my work on that, render in frames, then expand and render that in fields.

Remember to park on the first “mixed” frame when you apply the contract.
Good luck.
Ryan


On 1/5/06 12:55 PM, "Chris Smith" <chris(at)sugarfilmproduction.com> wrote:

Normally I roll my cameras at 30fps to not deal with pulldown issues.  But I'm doing a cut from a job I shot at 24fps and it's driving me crazy.

Questions about the 3:2 process:

1.  The way I cut is not with subclips but just selects dragged to the timeline.  So when I add the 3:2 contract effect and it creates the container, inside the container the clip seems to be the length of the master clip.  Do I need to always go chase down where my in/out points of the top clip are?  Or am I doing something wrong?  I'd like to have a short clip in an edit, apply a 3:2 contract and inside the container just see the frames from the clip I'm working on.

2.  Is it standard in a 24fps edit to do a 3:2 contract and expand so that the sequence is always the same 3:2 sequence as opposed to a random one based on how it was edited?  Or do you only do a contract/expand on clips that you need to do effects on?

 

Chris Smith


Partner/Film Director


Sugar Film Production


3699 McKinney #222


Dallas 75204


214.655.2662


http://www.sugarfilmproduction.com
 



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