Thanks for support on this. These must be easy things to programme but can smooth a job out no end. A lot of clients know FCP and might be surprised that it's not so easy in an expensive suite.
-----Original Message-----
From: owner-ds(at)Softimage.COM on behalf of Seth Isaac Buncher
Sent: Wed 1/18/2006 03:07
To: DS(at)Softimage.COM
Cc:
Subject: RE: DS feature requests
Hi John,
These are all excellent feature requests, particularly the AutoCorrect
feature (as it exists in the MC Family). This feature really really speeds
up the grading of tightly-deadlined programs, since it gives you a good
starting point for correction. Also, the color coding of clips as it exists
in Symphony has bailed me out of more headaches than I care to recall. And
I love the Paste Attributes feature in FCP.
Warm regards,
Seth Isaaac Buncher
>From: "John McMullin" <John(at)vet.co.uk>
>Reply-To: DS(at)Softimage.COM
>To: <ds(at)Softimage.COM>
>Subject: DS feature requests
>Date: Tue, 17 Jan 2006 13:27:10 -0000
>
>Sorry everyone, we're always banging on about this stuff, but the worst
>thing about the DS is the small things that it doesn't do.
>
>I'd like to:
>
>Be able to select clips in the timeline according to various properties in
>common, i.e. tapename, or even one word in the clip name, and then copy an
>effect to all of them. I know that we've got source effects but without
>being able to later break down the association between the seperate effects
>it's almost useless. I've just onlined a very cutty music video which was
>shot in 3 locations. It meant stepping through, shot by shot, and copying
>my first colour correction preset onto each clip one by one. Why have I
>got to go through this in DS when it's possible in FCP.
>
>Be able to remove effects from a group of selected clips, preferably being
>able to choose what kinds of effects you want to lose, e.g. DVEs or colour
>corrections. FCP can do this as well.
>
>Be able to set separate clip colours to clips in the source bin that ripple
>through to the timeline. This is really useful. It makes navigating a
>long sequence so much quicker.
>
>Also, clips with some or all their media "not available" should be
>highlighted in the timeline in some way. Presently this seems to happen
>with audio but not video. Also, annoyingly, in the bin, a clip loses it's
>red colour if it's got just 1 frame of media available to it. Maybe we can
>have two different colours to indicate the different status. Because of
>this, I've gone into an online with media not available messages popping up
>in front of the client.
>
>Auto colour correction. I know it doesn't do a great job but it can often
>save you having to routinely setting black and white points on the three
>channels before you tweak it. If Xpress Pro can do it then so should DS.
>
>I'll let everyone else talk about the important things like the 3D
>environment, expressions with graphics, particles etc.
>
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DS(at)Softimage.COM at DS(at)Softimage.COM. If you are not the named addressee you should not
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email are solely those of the author and might not represent those of VET.
Warning: Although VET has taken reasonable precautions to ensure no viruses are present
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the use of this email or attachments.
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