Guten Tag Andy Jones,
than lets save cash for two 30" LCDs ;)
--
Mit freundlichen Grüßen
dyter08(at)yahoo.de
SC ECKHARDT SRL - Timisoara - Romania
mailto:dyter08(at)yahoo.de
am Samstag, 2. Dezember 2006 um 20:46 schrieben Sie:
> We've got some of the 24 inch Dells at our office. Originally, we
> bought them for our compositors, and that's still where they're used,
> but what Jeff said about the color having visible artifacts is totally
> true (my personal theory is that they have the backlight cranked too
> high). I wouldn't say it's that much worse than other LCD's, though.
> But I totally don't buy that LCD's are good enough to do color work on
> these days -- especially the larger ones, even though a lot of people
> will tell you otherwise. Unless the color work you're doing is to see
> what your content will look like on a LCD, specifically. But at that
> point, you would probably want a calibrated HD monitor. That said, it
> is really great to be able to play back footage in ultra-crisp 1080p,
> which is why we keep the monitors with the compositors. So, in summary,
> I like the 24" screens, but I don't trust them.
> In my opinion, the ideal setup for any sort of generalist workstation is
> a 24" widescreen monitor coupled with a CRT running at 1600x1200. That
> is, unless you've got money for a 30", which, by the way, I'd take over
> 2 24" screens any day -- especially if you want to do work for film at
> full 2K. (I'd probably still want to pair it with a CRT, though.)
> -Andy
> Joe Laffey wrote:
>> On Sat, 2 Dec 2006, Jeff Wilson wrote:
>>
>>> Wow... two 24s would be some serious real estate.
>>>
>>> dyter08(at)yahoo.de wrote:
>>>
>>>> Guten Tag Jeff Wilson,
>>>>
>>>> anyone on 30" here, I was thinking to buy the 30" Dell.
>>>>
>>>> Whats better, 2 LCDs 24" or one 30"?
>>>
>>
>>
>> Two 24"s is great. I much prefer it to a single 30".
>>
>> --
>> Joe Laffey | Visual Effects for Film and Video
>> LAFFEY Computer Imaging | -------------------------------------
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