Re: off topic: lcd monitor

[Rob Wuijster <rob.wuijster(at)condor.tv>]

Just my two eurocents,

We've switched a couple of CRT's lately for DELL flatpanels (no 
widescreen...) and color and sharpness is very good value for money. For 
colour checking you still need a CRT or broadcast monitor though.
We also had a EIZO 24" widescreen on trialbasis for one of the 
Inferno's, and the guys were very positive about this one. There's also 
a very good menu for calibrating for this one.
For me personally its the EIZO first, then DELL and Apple last. There's 
something about the Apple screens that seems soft, but that could be my 
eyes. Or the fact it's connected to a pc ;-)

Regards,

*Rob Wuijster
*
Condor Digital
www.condor.tv <http://www.condor.tv>
Willemsparkweg 80
1071HL Amsterdam

+31 (0) 20 6712600 (T)
+31 (0) 20 6713766 (F)



Kris Rivel wrote:
> I'm holding out for this beauty:
>
> http://www.gizmowatch.com/entry/necs-255-inch-h-ips-monitor-targets-at-professionals-with-color-sensitive-applications/
>
> Kris
>
> Steve Pratt wrote:
> > I work in a commercial art studio where colour accuracy is critical 
> > and we switched from CRT's to LCD's about 18 months ago. We mainly 
> > use Photoshop & XSi.
> > We went for the top of the range Eizo ColorEdge monitors.
> > I was the biggest skeptic that LCD's would ever cut it for colour 
> > reproduction but am now a believer and would never go back to CRT.
> > The Eizo's are not cheap, but if colour accuracy is important they 
> > are the bees knees.
> >
> > We looked at the Apple displays but at that time their calibration 
> > was very limited when connected to PC's.
> > Does anyone know if that has improved?
> >
> > -Steve
> >
> > On 03/12/06, *Andy Jones* <andy(at)thefront.com 
> > <mailto:andy(at)thefront.com>> wrote:
> >
> >     We've got some of the 24 inch Dells at our office.  Originally, we
> >     bought them for our compositors, and that's still where they're used,
> >     but what Jeff said about the color having visible artifacts is
> >     totally
> >     true (my personal theory is that they have the backlight cranked too
> >     high).  I wouldn't say it's that much worse than other LCD's, though.
> >     But I totally don't buy that LCD's are good enough to do color
> >     work on
> >     these days -- especially the larger ones, even though a lot of people
> >     will tell you otherwise.  Unless the color work you're doing is
> >     to see
> >     what your content will look like on a LCD, specifically.  But at that
> >     point, you would probably want a calibrated HD monitor.  That
> >     said, it
> >     is really great to be able to play back footage in ultra-crisp 1080p,
> >     which is why we keep the monitors with the compositors.  So, in
> >     summary,
> >     I like the 24" screens, but I don't trust them.
> >
> >     In my opinion, the ideal setup for any sort of generalist
> >     workstation is
> >     a 24" widescreen monitor coupled with a CRT running at
> >     1600x1200.  That
> >     is, unless you've got money for a 30", which, by the way, I'd
> >     take over
> >     2 24" screens any day -- especially if you want to do work for
> >     film at
> >     full 2K.  (I'd probably still want to pair it with a CRT, though.)
> >
> >     -Andy
> >
> >     Joe Laffey wrote:
> >
> >     > On Sat, 2 Dec 2006, Jeff Wilson wrote:
> >     >
> >     >> Wow...  two 24s would be some serious real estate.
> >     >>
> >     >> dyter08(at)yahoo.de <mailto:dyter08(at)yahoo.de> wrote:
> >     >>
> >     >>> Guten Tag Jeff Wilson,
> >     >>>
> >     >>> anyone on 30" here, I was thinking to buy the 30" Dell.
> >     >>>
> >     >>> Whats better, 2 LCDs 24" or one 30"?
> >     >>
> >     >
> >     >
> >     > Two 24"s is great. I much prefer it to a single 30".
> >     >
> >     > --
> >     > Joe Laffey                |       Visual Effects for Film and
> >     Video
> >     > LAFFEY Computer Imaging   |    
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